Huling Tawad (Last Haggle) – 180 Microcinema Festival

Huling Tawad (Last Haggle) – 180 Microcinema Festival.

Pls vote for Huling Tawad (Last Haggle) – 180 Microcinema Festival.

Huling Tawad (Last Haggle) from 180 Microcinema Festival on Vimeo.

Huling Tawad (Last Haggle) – 180 Microcinema Festival

Huling Tawad (Last Haggle) – 180 Microcinema Festival.



Huling Tawad (Last Haggle) from 180 Microcinema Festival on Vimeo.

Huling Tawad (Last Haggle) – 180 Microcinema Festival

Huling Tawad (Last Haggle) – 180 Microcinema Festival.

Letter from Altair Macatiag, Director of Huling Tawad (Last Haggle) – 180 Microcinema Festival.

Unang-una, sa ngalan ng buong cast at production team, nais kong iparating ang lubos na pasasalamat sa lahat ng nanood, bumoto at nagbahagi sa HULING TAWAD (Last Haggle). Sa kasalukuyan, meron na itong 1, 500 votes, 50 tweets, 150 shares, 103 others likeds at nadaragdagan pa.

Ang pagbibigay ng kaunting panahon upang ito ay mapanood-iboto-ibahagi, ay isang napakalaking tulong upang magkaroon ng tiyansa na magwagi sa kompetisyong ito at upang makagawa pa ng mga pelikulang pupukaw sa mga damdamin.

Nais ko din ibahagi ang ilang "Review" sa aming maliit na pelikula - ang Huling Tawad (Last Haggle), na sadyang nakakapagbigay kasiyahan sa aming mga damdamin.

Narito ang ilang Komento:

"This short film challenges the individualized "perception" of the viewers. It raises this fundamental question: what lesson(s) on humanity the film delivers? I saw a "buyer" and a "seller" haggling on the price of the guitar. And yet, in a very subtle way, the Director implies a bitter-sweet "past" between the two principal characters. He then uses that item (guitar) as a medium/bridge/link in allowing these two individuals to cross path, meet in a new time and place, reconcile and patch up things under the spirit of forgiveness. Great "theme planning" on the part of the writer/director and a very realistic portrayal by two principal actor/actress." -Francis Banaynal

"Huling Tawad (Last Haggle) is a concise but multidimensional film. Breaking down scenes would reveal a meaning or two that support the story and each theme aspect [Somehow shows (a journey towards) Matthew 6:12 and the obvious, the difficult art of haggling (for love/courtship or a good guitar)]. It is visually, acoustically, and semantically meaningful." -April Hazel Gay Dela Cruz

"The story is simple but heartwarming naiyak ako....but  forgiving the one you love for whatever misgivings he had done is all that matters....(ang pagpapaTAWAD ikanga ay higit pa sa TAWAD.)" -Josphine

"Brilliant short film! I loved the cinematography and setting, shows the realistic demographic." -Ralph Dela Cruz

"Wel-thought-of; It is  really  from the heart,  Awesome!" -Oneeleventwo010

"Kakaiba ito ah. Pinag-isa yung paghingi ng tawad sa pagtawad sa presyo ng gitara. Ibig sabihin, may nakaraan sila. pwede pala yun? ok ah." -LJC Nelnav

"Great Job. Well done!" -Evelyn Mills

"Pretty good micromovie! Perfect." -Oneeleventwo010

"Heartwarming. The story goes straight to the heart, like a melody that goes straight to the ears of one's soul... and stays there." -Noel Barcelona

"Simple story! awesome!" -Palakanton

"Action speaks... it's meaningful! i love it!" -Oneeleventwo010

"A nice movie & commendable. Well done!" -Bert Parcon

"The film is made from the heart." -CJ Simple S. Bordeos

"Great Story." -Celia

"Scenes are very meaningful. well done." -Rogelio Decastro

"Meaningful" -Yhemhenz

 "This movie inspired me to do more." -Amritagill

"Wow. #lasthaggle's has effectively shown in a short film every love story's bitter sweet reality... :)" -Zita Buena

"Very direct to the point - how the lady empathized with the customer who did not have enough money to buy the guitar.  It was the start of a relationshiip that would last a lifetime.  Very simple yet powerful message.  Very humane.  Less dialogue but powerful message." -William Ong

"Touched me." -Malou Nocedo

Meron pang halos isang (1) buwan na tatakbuhin ang kompetisyon. Kung kaya naman, nanatili ang aming paghingi ng suporta sa inyong lahat. Maraming salamat!

PLEASE VIEW-VOTE-SHARE!

HULING TAWAD (Last Haggle) a film by Altair Macatiag & Divina Nova Joy Dela Cruz

OFFICIAL ENTRY TO THE 180 CINEMA FILM FESTIVAL 2012

HOW TO VOTE:

1. Go to http://180cinema.net/2012/films/huling-tawad-last-haggle/

2. Scroll down look for log In>connect with: facebook/twitter/gmail/yahoo. Once you are connected, look for "Vote for This Film" (lower right side of the window, with a black square) click "VOTE" or the Black Square.

3. Leave a comment (Optional)

4. Share the link through facebook, twitter (hashtag #lasthaggle180), gmail, yahoo and other networking sites.

SYNOPSIS:

"A struggling musician scours the city in search of the perfect classical gu...itar and ends up in a small district of locally-made musical instruments. His pursuit leads him to a rare encounter that forces him to face an unfinished past."

Thanks!

- Altair Macatiag

Director, Huling Tawad (Last Haggle)

Huling Tawad (Last Haggle) – 180 Microcinema Festival

Take a peek into the Philippines' rich music culture in a poignant story of love and regret.

Please watch and vote for this short fim, Huling Tawad (Last Haggle), a Pinoy entry to the 180 MicroCinema Festival 2012.

Huling Tawad (Last Haggle) from 180 Microcinema Festival on Vimeo.

Directed by: Altair R. Macatiag

Short Film, Narrative Fiction

Runtime: 3:00 min

180 Cinema Festival Page:

http://180cinema.net/2012/films/huling-tawad-last-haggle/

Synopsis

A struggling musician scours the city in search of the perfect classical guitar and ends up in a small district of locally-made musical instruments. His pursuit leads him to a rare encounter that forces him to face an unfinished past.

4 Simple Steps to show your love & support

1. Go to Huling Tawad (Last Haggle) page. Click VOTE to log in using your account in Facebook, Twitter, Gmail or Yahoo. Once you are connected, go back to the page and click VOTE and leave a comment (encouraged).

2. Share the link through facebook.

3. Tweet about the film on Twitter with the hashtag #lasthaggle180.

4. Make a review and a blog post about the film.

Enjoy watching the film! Thanks everyone!

Production, Cast & Crew

Actors

Abet Umil (Man)

Joanna Lerio (Woman)

Hazel Anne Macasu

Desiree Macasu

Anthony Alvarez

(Street Children)

Director, Screenplay , Cinematography & Editing

Altair R. Macatiag

Producer & Creative Director

Divina Nova Joy D. Dela Cruz

Sound Design

Mark Christopher Ramirez

Musical Score

Joselito Gerardino

Production Crew

Edward Macasu & Andrew Evan Alvarez

July 10 is student's National Day of Action

Silipin... makisangkot!



gawa ng Silip
palaganapin!

nasaan nga ba ang terorista?

Where in the World is Osama Bin Laden?
ni Morgan Spurlock (direktor ng Supersize Me)

Check out: www.whereisobl.com

salamat, diwata ng mt. tarak...

sa pagkukuwento ng trahedya ng iyong kariktan.

Aw! =)

... ang bago kong expression. Maraming ibig sabihin, depende sa sitwasyon, depende sa haba o tulin ng pagkakabigkas, depende kung paano ipinahayag ng mukha ko. Aw! (for lack of a better word).

Aw! kapag nasasaktan. Parang ouch na pinutol sa unang pantig. Kasi hindi naman talaga masakit. Kunwari lang. Maarte lang, kasi ma -arte ako. Karaniwan.

Pero ito, masakit: kahapon, tumawag ang mama, ang papa, si ian (na binata na, lumilipas na ang pag-pipiyok ng boses) at si gay (na ma-haaal na mahal kong sis). Sabi nila, apektado na sila ng recession sa US. Sabi ko, kami din po dito sa Pinas. Ang mahal ng mangga (nakalimutan na nga ni Gay kung ano yung carabao mango kasi matagal ko nang hindi nababanggit. Bihira din daw sila makakita nun sa US. Ibang variety lang daw ang meron.) Aw!

Aw! kapag nabibigla. Kasi hindi ko mapigilan ang pagkabigla ko. Depende sa sitwasyon. Kasi tuloy-tuloy lang ang dila ko pag nagugulat. Kailangan kong masabi agad ang reaksyon ko nang hindi nai-edit o pinag-iisipan man lang. Minsan, nakakasakit ng tao. Minsan, nakakatawa lang. Minsan, nagmumukha akong tanga.

Kanina, narinig ko sa balita, may mga bagong "kasalanan" na raw ayon sa Vatican. Kabilang dito ang pagdodroga at pagkakalat (sa paligid). Environmentalist na rin pala ang Vatican pero minsan, hindi herbal. Aw!

Aw! para lang makapag-hinga kunwari ng reaksyon kung wala naman talagang masabi. Para kunwari, may opinyon. O, kung ayaw ko nang pag-usapan. O, pambawi, para hindi corny. O, kapag may natamaan.

“She (PGMA) is evil” – sabi raw ni Neri, sabi ni Lozada

“She (PGMA) may be a bitch, but she’s the luckiest bitch around” – Gov. Salceda

“Son of a bitch” – sabi ni Sarah nung makita si Mikey Arroyo sa TV (following Salceda’s statement)

“Kapag nagbato siya ng alahas, pupulutin ko!” – awayang Anabelle Rama at Lolit Solis

“Detoxify daily” – sabi ni Lucy Torres

Aw! kapag nakaka-appreciate ng magandang bagay, tao, gawi, o musika, literatura at art na rin. Parang, “grabe pa-re, astig!” Magandang malandi. Parang “ma-ri-mar, aw!” Dahil maganda ang mundo (sa lahat ng kamunduhan nito), masarap mabuhay. Dahil baliw ako. Dahil "tao" ako. I'm human, men! Nakakaramdam ng bawat dampi, nakakarinig ng musika o berso, nasisilayan ang marikit. Nakakaunawa ng bawat kuwit, tuldok, at mga pariralang nagpapanggap na pangungusap.

Aw! kapag natataranta. Rakenrol! Kapag madaming naiisip at hindi kasimbilis ng mga daliri ang utak ko. Kapag nagkatambak-tambak ang mga gagawin. Kapag kailangan kong gawin ‘to, pero gustong-gusto kong gawin ‘yun. Kapag hinihila ang oras para umabot. Para hindi malagutan ng hininga. Aw! rin sa kabaliktaran nito, kapag satisfied, kapag nakatapos ng mga dapat gawin. Basta aw! pag extremes, para maging karaniwan.

Aw! dahil "i feel so damn good, i don't know how to express it." Dahil meron akong natural high. Ang sarap langhapin ng malakas na hangin bago ito dumampi sa balat ko at bago nito paliparin ang buhok ko. Aw! dahil malaya na ako, malaya sa lahat ng sagabal at hadlang. Ito ang pinakamagandang regalong natanggap ko (so far). Aw! dahil kasalukuyan na akong naglalakad sa kalsadang puno ng alpombra ng mga tuyong pulang dahon. Hihintayin kita sa dulo, sa dating tagpuan.

Aw! Dahil nahanap ko na ang pagbabago sa sarili ko at nahanap ko 'to dahil lamang sa sarili ko (hindi "dahil sa kanya," hindi "dahil siya lang ang nakapagparamdam sa akin ng ganito"). Napagsasabihan, naaapektuhan, nayayanig, nanginginig, pero hindi natatangay ng agos. Aw! dahil wala na akong galit, poot, at pagkamuhi. Dahil tapos na ang panahon ng pagluluksa, dahil patay na 'yun, dahil hindi na magbabalik. Dahil marunong na akong ngumiti kahit may takot at pangamba.

Aw! dahil yapos-yapos ko ang nag-uumapaw na pag-ibig. Parang ‘yung kantang “i love you more today than yesterday” ng goldfinger. “Every day's a new day in love with you. With each day comes a new way of loving you,” sinisipol ko sa sarili ko. “I’m like a big balloon filled with hot air, ready to explode” sabi ng orange and lemons sa “a beginning of something wonderful.” Parang gusto kong umindak sa ilalim ng nagbabagsakang dahon ng taglagas. Life is beautiful at nangangarap pa rin ng... world peace.

"We're restless hearted, not the chained and bound... We're too young to reason, too grown up to dream," sabi ni Elan Atias.

Bukas, may transport strike ulit...

Aw!

i HEART the french

i HEART the french

Jules Bonnot
Les Brigades du Tigre
(The Brigades of the Tiger)

Yet another reason for me to love the French.

French film makers never fail to nail me to a trance-like state with movies that feed my delicate soul with intriguing story lines blended with innovative but equally incredible imagery. They never cease to explore new concepts in visual execution. As a whole, subtle ideas they suggest elicit intriguing thoughts for humanity. Among my favorites are 'Irreversible', 'Amelie,' and 'L'appartement' (the original version of Hollywood's 'Wicker Park').

This time, I was captivated by a scene in 'Les Brigades du Tigre'. Jules Bonnot, a famous 'anarchist' leader who wants to topple the corrupt monarch from power, was cornered by the Tiger Brigades' arrest operation. Alone in his hideout, he fought back and fought hard for his life until he caught a glimpse of his queen lover through his window. He was suddenly weakened at the sight of her. He yielded from countering the attacks and looked for a paper and a pen. Struggling to live for one moment more, with blood spurting from gunshots that penetrated his body, he wrote:

"I am a famous man, my name is known around the world.
And my renown must be filled with envy
all those who try so hard to get themselves noticed.

I didn't want much,
just to walk with her by the Rhone in the moonlight.
I have always dreamt of such happiness,
snatched from me each time.

I had to survive but
Since your inane and criminal society prevents that, too bad for it.
Too bad for you."

I heart the French.

One Tough Editor:

JERRIE ABELLA for USC Chairperson

Running the Philippine Collegian is one thankless job. Aside from thenerve-wracking, pressure-packed pressworks that writers and artists deal with on a weekly basis, its editors are burdened with almost impossible, inhuman expectations. The least that they have to be worried
about are the rules of grammar (in both languages), which they areassumed to have firm grasp of. Theyare required by the job to have extraordinary acuity and keenness in analyzing social, political and cultural events. Equally as important, of course, editors have to have a fully developed creative imagination, not to mention, impeccable taste.

It is undeniably one of the most demanding jobs on campus, where mere mortals fear to tread.

It does not surprise us, therefore, that one of Collegian’s editors –current editor-in-chief, no less – has decided to tread the path of campus politics. He is on familiar ground, for sure. He is vying for one job where his wit and intelligence, superior leadership skills, creative imagination and, well, impeccable taste, can be put to best use.

We are talking, of course, about Jerrie Abella.

As an astute observer of campus politics for many years, Jerrie has acquired an encyclopedic knowledge of its ins and outs. Trained as a news reporter, he has interviewed and conversed with university administrators and professors, instructors and employees, residents and students – stakeholders all in the business of running a student council.

Anyone familiar with how a usual Collegian presswork grinds out knows how tough one must be to be able to go through the entire process with his or her sanity intact. From planning the issue to going through the rigorous editing to the painstaking laying out of the pages, Jerrie has successfully led one of the best Collegian pool of editors, writers and artists in years. This feat is due in no small measure to Jerrie’s leadership.

Make no mistake, too: Jerrie is also an impassioned activist. His heart has always been in the right place – the Collegian’s advocacies are testament to that. During the last school year, Jerrie was among the editors who assiduously fought administration intervention in the paper’s fiscal affairs while coming up with creative ways to deliver the news to the students. The Collegian’s past term and the current one were also most valiant in exposing and criticizing the utter underhandedless with which the UP administration passed the tuition hike. Jerrie’s term has also kept vigil of updates on the whereabouts of missing UP students Sherlyn Cadapan and Karen Empeño, as well as other disappeared victims of state fascism.

It goes without saying, too, that the Collegian under his term has been most passionate in bringing to the student fore national issues, from demolition of urban poor communities to the national movement to oust the sitting President.

We have to admit, though: Jerrie is biased. But only because he favors seeing social problems from the point-of-view of the majority of poor and dispossessed Filipinos. He is biased for the students, and makes sure that every ink that he pens will reflect its objective interests and aspirations. He is biased for what is true. Yes, as a journalist, he is obliged to be objective and fair, and the pages of the Collegian in many ways reflect that. But more than being an observer, Jerrie is an activist and a student leader. More than being a mere chronicler of events, he is completely engaged in the conflict of our times.

Fortunately for us, he is on our side.

This coming election, we, former Philippine Collegian editors, urge you to vote JERRIE ABELLA, for chairperson of the University Student Council.


Signed:

Karl Frederick Castro, Editor in Chief, 2006-2007
Jayson DP Fajarda, Editor in Chief, 2004-2005
Ellaine Rose A. Beronio, Editor in Chief, 2002-2003
Kenneth Roland A. Guda, Features Editor, 2000-2001
Lisa Cariño Ito, Associate Editor, 2000-2002
Margaret P. Yarcia, Features Editor, 2006-2007
Katrina Angela R. Macapagal, Associate Editor, 2006-2007
Joan ME Salvador, Associate Editor, 2002-2003
Kendrick T. Bautista, Graphics Editor, 2004-2005
Divina Nova Joy D. Dela Cruz, News Editor, 2003-2005
Rouelle T. Umali, Graphics Editor, 2006-2007
Jeeu Christopher A. Gonzales, Culture Editor, 2006-2007
Wendell M. Gumban, News Editor, 2004-2005

Of goodbyes, airports and extra baggage

I abhor visiting the airport. Restlessness lurks around, hovering like a humid atmosphere waiting for held-back tears to fall from the eyes of passengers and their loved ones.

As much as I want to evade that place (I once described as an impish portal), it is also a constant rendezvous for me and acquaintances delivering or sending packages to my family.

Once, I met with my dad’s co-worker, who went home for the holidays. Moments before, I imagined how I would take her hand for a mano, or hug her like I would if she were my mom. She arrived after an hour tormenting thoughts fooling around on my mind. I was worrying that she might have left, knowing that she would have an immediate connecting flight to Davao.

We recognized each other meters away even if we haven’t met before. I saw her beaming smile as if she had seen my mother’s eyes and my dad’s eyebrows on my face.

“Kamusta na po sila?” I asked as she hurriedly took out my package from her bag and hastily traded it with the parcel (for my parents) in my hand. “Ok naman sila, magpakabait ka,” she answered during the barter. It was that swift. She had to leave. I stayed at where I was standing. I wanted to call her back. I forgot to send a kiss for my mom.

----------------------

I found this crafty little poem from an online newspaper. For all the concealed emotions to land on.

BAGAHE
Tula ni Axel Pinpin

Wala tayong narinig sa isa’t-isa
noong una mong paglisan
dahil kung anong higpit ng ating mga yakap
siya namang luwag nang pagpatak ng luha
sa di nagpantay nating mga pisngi;
waring nalimutan ng ating mga labi
ang kanyang “mag-iingat” at “hanggang sa muli”.

Naalala na nating ngumiti at magbilin
sa ikalawa mong paglipad.
Naroon pa rin ang higpit ng yakap ng pagtanggap
at hibi ng mga luhang parang di nasasanay;
nawika mo sa unang elektronikong liham:
“Kuya, tayo na lang yata ang umiiyak ‘pag nasa airport,
pinatahan na ang iba ng pangako ng dolyar.”

Higit na pinaghiwalay ng rehas at ng iyong pag-ibig
ang paalaman natin sa pinakahuli mong biyahe.
Pinagulang na rin ng karanasan ang iyong yakap
at ang luha mo noo’y pang-unawa ang hanap.
Sa mensahe mo bago ka lumulan ng eroplano:
“Kuya, over-baggaged ako. Mabigat ang kalamay,
at alamang. Kung pwede sana, di ko na dalhin ang pag-aalala
sa iyong paglaya, sa ating pamilya, sa aking kasintahan
at sa ating Bayan.”

Women from War Torn Mindanao

Women from War Torn Mindanao

Life stories of migration as escape from an atrocious state of society

Aida has spent her life in relentless poverty. She did not know exactly why the war was waged in their small community in Kabakan, North Cotabato, but she knows for certain how the war affected her life. She and her family suffered extreme poverty that she had to work as a child for everyday sustenance. This, amid constant fear of the seemingly unending war in Mindanao.

The impoverished lives of women and people intensify as the war waged in Mindanao persists. The government’s military have unceasingly lodged in Mindanao in search of the ‘rebel groups’ Moro Islamic Liberation Front and Moro National Liberation Front and the ‘terrorist group’ Abu Sayaff. As the battle ensues, countless families in Mindanao endure the aggravating poverty and restlessness due to constant evacuation in the hope of evading the ruthless war.

Thus, aside from gender issues, women in war torn Mindanao confront more injustice in economic and social issues. Amid the ensuing war and destitution, women face a bigger challenge to survive. Even in lieu of shattered households and broken families, they opted to migrate for the urgent need to survive.

From the outskirts of Mindanao, countless Muslim women have migrated and sought justice against poverty and militarization in Manila and even overseas.

Massive poverty in Muslim Mindanao has persisted regime after regime. The government’s execution of war in Mindanao even intensified the condition of residents in the area. In militarized Mindanao, apparent poverty is even more magnified. Thus, women leave Mindanao and sees going abroad as a solution.

Urban Migration

Three Muslim women, who tried to escape landlessness, poverty and militarization from different war zones in Cotabato, shared their life stories. Momentarily, they reside in a Muslim community in Culiat, Quezon City. Culiat is a community known as a transitory residence of Muslims from Mindanao, who are planning to work abroad. Muslim women, from time to time, come in and out of the community.

Women from Mindanao usually migrate to Muslim communities in Manila. Culiat is one of the few communities that accommodate Moros. Almost the whole population of Culiat consists of Muslims. However, Culiat is only a transitory community for Muslims who are applying for work abroad and for those who have returned to the country.

Although Muslim men and women tried to escape restlessness due to militarization, they still experience such cruelty and harassment from men-in-uniform in Culiat. Due to the stigma linked with Muslims as ‘terrorists’ the military often target and raid Muslim community, Culiat, every time an act of terrorism (e.g. bus bombing) occurs. The police or the military often raid houses in Culiat and apprehend suspected Muslim terrorists. Aside from these, the Moros are also confronted with threats of demolition. This incites trauma of the lack of security and frequent evacuation they experienced with the war in Mindanao.

Life stories of three Moro women

The lives of the three women have things in common: militarization that aggravated their impoverished condition in Mindanao led them to internal migration and external migration. Aside from poverty, violence, and harassment, these women beset one problem in common – militarization.

(1) Aida Silayan

Age: 48 years old

Residence: Kabakan, North Cotabato

Like most children in the war-stricken Mindanao, Aida did not experience a peaceful childhood and the luxury of a peaceful and steady schooling. In North Cotabato, where she spent almost all her lifetime, encounters between the ‘rebel groups’ and the government’s military have been a constant scenario. Aida recounted how every now and then, her family, her neighbors, and the whole barangay would evacuate from their area like nomads every time the military would attack their barangay in search for the ‘Muslim rebels.’ She did not know what the war was all about, but she knew exactly how painstaking it was for them to move from one place to another in order to evade bullets firing across their homes.

Aida recounted how three families would squeeze themselves in a cavernous makeshift shelter below the ground. They would store food for a week-supply, while hiding from bullets dispatched by the military and the ‘Muslim rebels.’

She recalled how the military would arbitrarily arrested civilians in their barangay. She felt grief and terror when the military would apprehend, harass and beat her fellow Muslims in their area. She also cited incidents when the military would search for community tax certificate (CTC) from the residents of their barangay. If they cannot produce a CTC, the military would ask them to write their names. However, as most of the people there were illiterate, the military would then give them untoward orders like singing and dancing.

Meanwhile, Aida did not experience normal schooling, as classes would be suspended for weeks every time war was waged in their area. Aside from this, she also had to work as a child in order to help the family and have some money to pay expenses in school. She would work as a helper to neighbors, cleaning their houses and washing their clothes. Her parents worked as farmers, planting mais and palay. Her parents sell them in a bodega afterwards. However, their income was not enough to send her and all her siblings to school. Aida is the fifth child in a family of seven. Her parents and her older siblings would stop working in the farm whenever the war heightened.

The situation of Aida’s family worsened when her father died during her fourth grade in elementary. Due to poverty and constant war in their area, Aida had to stop after her second year in high school when her father died.

Present Condition

Poverty and unrest in Cotabato remained even when Aida got married and had a family of her own. She wanted to send all her children to school but she cannot find a decent-paying job in Mindanao. Aida, having not finished schooling, decided to go to Manila in 2004 to apply for a job as a domestic helper abroad. However, she had problems with health, and she was not allowed to work abroad. She instead decided to work in Manila so she can send some amount to her family in Mindanao. At present, while still hoping for a contract abroad, she works as a saleslady in a sari-sari store so she could send money to her children back home.

Although she could send a bigger amount (than what she used to earn in Mindanao) to her family, she still longs to be with her family and hopes that the war in Mindanao to end. She believes that if the war in Mindanao ends, the condition in Mindanao would be a lot better.

(2) Maimona B. Pendaliday

a.ka.Babylab A. Kali

Age: 24 years old

Residence: Bongo Island, Parang North Cotabato

Life has also been tough for Babylab. Her parents have encountered the hardships and pains of the war so they decided to raise their children in a secluded area where they could less witness and suffer the strains of war.

Her parents worked as farmers in a plantation of copra. The landowner permitted them to live in that farm. Babylab’s parents would only get one third of the total income while the landowner would get two thirds. Instead of hiring workers to help him plant and harvest copras, Babylab’s father would ask her and her siblings to help in the fields in order to earn more. Babylab is the fifth child of the nine children in the family. Sometimes, Babylab’s family would also plant palay, kamote and other vegetables they can eat and sell especially when they have more expenses in school.

Although Babylab’s place is far from the war zone, she said that there is also military presence in their area. Soldiers were assigned in every barangay to make rounds and guard the area and search for the ‘Muslim rebels.’ Although she has not experienced military harassment yet, she said that they are constantly afraid of the soldiers. They fear any form of harassment from the soldiers. They are also afraid that the encounters may take place in their area due to military presence.

Schooling was not smooth sailing for Babylab either. Although their house was located in a relatively safer place, she had to endure two-hour walks everyday going to school. It was also not a steady schooling because every time the war sparks at the area of the school, classes are always suspended and students were asked to stay at home so that they will not be harmed in the war.

Every time a war ensues, Babylab’s residence becomes an evacuation center. About 200 people from Litayen would seek shelter from the Pendaliday residence up to a week every time war and encounters erupt. She said that they had to endure a sitting position while sleeping because they had to accommodate all those evacuees. Other evacuees, meanwhile, bear to sleep on the cold grounds outside their house.

Babylab is the only one in the family to finish high school. Her siblings have worked in an early age to help sustain their family. She wanted to continue her studies to college but she was not able to avail of a scholarship. At the age of 21, she decided to go abroad and work as a domestic helper.

Life abroad

Babylab said that most women in their place have been going abroad as domestic helpers in order to financially assist their families. Going abroad has been a trend for women in their area. Most of them have been earning their living as farmers. Even children are helping their parents in the farm.

Women affected by war in their place chose to go abroad seeking for a better livelihood. She said that it was easier for women to get a contract as domestic helpers abroad compared to men. Men should have skills for construction and other requirements so it is harder for them to get a job compared to women. Babylab said that 99 percent of women in their place go abroad to work.

Babylab has left the country twice to work as a domestic helper. She said she used an Christian pseudonym so she would not have problems with her muslim identity in working abroad. She worked for two and a half years in Kuwait and two months in Jeddah. She said that she was lucky to have good employers. She has endured to finish all her contracts, doing chores for other people and taking care of her employer’s mentally sick child. Two of her younger siblings can now go to school.

However, she frequently fears that the war affects her family because the military operations heightened in their area when she left. She said that going abroad is the only way to alleviate her family’s condition. She plans to earn enough money so could continue studying. She plans to take midwifery and nursing. When asked if she would still go abroad after finishing studies, she said she will until she earns enough.

She said that given the country’s political condition and with the escalating prices of oil and basic commodities in the country, the only solution she knows is to work abroad. She added that she cannot feel the government’s support to develop their community.

(3) Rahma Indong

Age: 16 years old

Residence: Pikit, Cotabato

Rahma’s experience was no different to Aida’s stories about the war. At a young age, Rahma had to stop going to school and work to help her parents. Rahma’s parents are also farmers. Her parents income were not enough to sustain their family.

Like Aida, she has experienced frequent evacuation every time military operations are waged in Pikit. Military presence is also a frequent scenario in Pikit. She said that every time a war ensues in Pikit, her parents would stop working in the fields which resulted in less income for the family.

At an early age, she decided to stop studying and opted to work to help sustain the family. However, there are only limited jobs in Pikit and most jobs available are low-paying especially to those who have not finished a college or high school degree. Thus, she migrated to Culiat, while applying for a job abroad. While jobs that do not require a degree (e.g. domestic helper) are available abroad, Rahma is having problems with her age. Rahma, at the age of 16, is a minor and jobs abroad have particular age requirements. Persistent with her plan, she said that her recruiter might arrange her age in the papers for her to be admitted for a job abroad. Some of Rahma’s friends, meanwhile, have worked in Manila instead of going abroad.

Root Causes of Militarization

Different regimes have consistently declared war or ordered military operations in Mindanao in order to search for what the government call ‘muslim rebels,’ which include the groups Moro Islamic Liberation Front, Moro National Liberation Front, and the ‘terrorist group’ Abu Sayyaf.

Aida said she did not know exactly why the war ensues but she has seen the war from her childhood until she left Mindanao only three years ago. She hears about the war that affects her family up to now. Although she does not know the root causes of the war, she know very well the effects of the consistent military operations in Mindanao. She sharply pointed out that the war hindered their livelihood and the development of Mindanao in general, especially in the outskirts where they live. She also symphatizes with her fellow civilian muslims who are harassed and arbitrarily arrested by the military.

Babylab and Rahma had the same insights. Their work in the farms (which is their main source of livelihood) ceases every time military operations commence.

Social effects of militarization to women and children

All three women said that the military carried friendly countenance when they went to their communities. The military would even gather the people and explain that they would cause no harm in the community. However, all of them felt unwanted fear with the military presence. They said that although most of the military are friendly in approaching them, they still feel a certain trauma that the military might harass them. They also feared that the military presence in their place may also attract the MILF, MNLF or the Abu Sayyaf in their community.

Another glaring trend that transpired during the interview points to migration of women in order to work abroad. All of them said that the only solution to their financial problems was to work overseas. All of them have not finished their studies. Thus, aside from the fact that there are only limited jobs in Mindanao, having not finished an educational degree adds up to their deficiencies to land in a good job that could sustain their survival. It has been a trend that mostly women go abroad to work as domestic helpers because they have more potential in landing in a job than men. Employment abroad, for men, has more requirements than women.

Lastly, most children in war zones in Mindanao do not finish schooling because to the distraction caused by constant military operations in their place. Children in war zones do not experience normal schooling. They had to evacuate every time the war ensues. Most of the time, classes are suspended.

War on terrorism worsens the condition of women

The women did not cite any sexual abuse experiences that went along the war on terrorism. However, it is striking that most women in war-torn Mindanao have opted to work abroad as domestic helpers for the survival of their families. This heightens the co modification of women doing such dirty jobs abroad.

In the end the problems confronting women in war torn Mindanao are economic, social and political: the lack of decent employment, living in constant fear of the military and the war, and the heightening program of the government for ‘dirty jobs’ abroad for women.

Tala nina Lola

Tala nina Lola:

Ang Panggagahasa ng mga Hapon sa Kababaihan at Bayan noong Digmaan

Umaalingawngaw pa rin ang pagputok ng baril at pagsabog ng bomba sa mga salaysay sa ng mga ngayo’y tinagurian nang lola, sa pagsakop ng mga Hapon sa ating bansa noong 1940s. Bagamat mahigit anim na dekada na ang nakakaraan, nakabibingi pa rin ang ugong ng napigtas na kuwerdas ng pagkawasak ng kanilang kamusmusan sa panahon ng digmaan.

Matagal nang natapos ang digmaan, nakamit na natin ang kasarinlan at ilang beses na rin tayong nakapagluklok ng sariling pangulo, ngunit dala-dala pa rin ng mga lolang naging comfort women ang pait na dinanas nila sa kamay ng mga sundalong Hapon. Patuloy pa rin silang nakapiit sa malupit na mga alaala kasabay ng hustisyang hindi pa nila nakakamit.

Mga Alaala’t Salaysay
Nasa Masbate si Felicidad Barberan delos Reyes nang dumating ang mga Hapon sa Pilipinas. Nasa elementarya pa lamang siya noon. Sinabi niyang animo'y mababait naman ang mga Hapon noong una. Sa pagkakatanda niya, nagkaroon pa nga ng programa para salubungin ang mga Hapon sa kanilang lugar. Ipinatawag siya, kasama ang iba pang mga bata sa kanilang lugar, upang magtanghal sa programang iyon. Tandang-tanda pa niya, Biyernes noon, ganap na ika-lima ng hapon naganap ang pagtatanghal. Wari nila'y ang programang iyon ang isang pagtatak ng maayos na pakikitungo ng mga Hapon sa kanilang komunidad.

Ngunit makalipas ang ilang araw, isa pala si Lola Fely sa mga magiging biktima ng kalupitan ng mga dayuhang iyon. Sinundo siya ng kanyang guro sa kanilang bahay. Ipinatatawag daw siya sa garrison. Hindi niya alam ang dahilan ngunit sumama siya. Pagdating doon, agad siyang isinilid sa isang kubo kung saan nagbibihis ang mga sundalong Hapon.

Ipiniit siya ng apat na araw. Wala siyang ginawa kundi umupo sa sahig at magmukmok. Isang gabi, ginahasa na siya ng isang sundalo. Naulit ito ng ilang araw. Ganoon na ang kaayusan sa kwartong iyon magmula noon, magmumukmok, darating ang mga sundalo, pupuwersahin, pagkatapos, hihikbi sa isang sulok. Binibigyan siya ng pagkain ngunit ni hindi man lang niya ito tinikman o ginalaw man lang dahil sa kanyang sinapit. Nagkasakit siya dahil dito. Lagi niyang kinakalampag ang pinto at nagmamaka-awang payagan na siyang umuwi. Sumagi pa sa isip niyang magpakamatay na lamang dahil sa mga nangyari sa kanya.

Hanggang sa isang araw, may narinig siyang umiiyak sa kabilang kawarto. Doon na na niya naisip na hindi siya nag-iisa. Mayroon pang ibang mga batang babae na ganoon din ang sinipit. Bagamat hinang-hina na siya, nanumbalik ang kanyang tapang dahil sa lakas ng loob na ipinapakita ng kanyang mga kasama. Kinausap siya ng isang batang babae at sinabihang huwag siyang mag-iingay dahil baka patayin sila ng mga sundalo. Sumagot siyang mas mabuti pa ngang patayin na lamang siya kaysa patuloy pang daanasin ang hirap ng pagkakakulong at panggagahasa sa kanya.

Natapos lamang ang kanyang paghihirap nang bigla na lamang silang pinauwi isang araw. Ginamot ng kanyang ina ang mga sugat at pinalakas din ang kanyang loob. Doon din niya nalaman na pinuntahan siya ng kanyang ama sa garison ngunit pinagbantaan ng mga sundalo ang kaniyang buhay. Tinulungan siya ng kanyang inang tanggapin ang pangyayari at lumaban.

Naging comfort woman din si Lola Narcisa. Ngunit bukod sa panggagahasa sa kanya ng mga Hapon, lalo pa siyang nasaktan sa dinanas ng kanyang buong pamilya sa kamay ng mga sundalo. Nakikita niya ang kanyang ate sa loob ng kampo. Minsan, may pasa at minsan naman, may paso ng sigarilyo sa kanyang katawan. Nakakamusta lang niya ang kanyang ate sa mga nakaw na pag-uusap.

Ang kuya naman niya ay ginawang tagabuhat ng mga sundalo kapag kailangan nilang lumipat ng kampo. Tadyak, palo, at suntok ang inaabot nila tuwing magkakamali o kapag sumasayad lang sa lupa ang bota ng mga sundalong binibitbit nila.

Laking pasasalamat na lamang ni Lola Narcisa sa mga gerilyang Pilipinong lumaban sa mga mananakop na Hapon. Aniya, sila ang tunay na nakapag-palayas ng mga mananakop sa ating bansa. Tumatagos pa sa kanyang gunita ang mga nababalitaan niya noong sunod-sunod na pag-atake ng mga gerilyang Pilipino sa mga Hapon. Ikinagalak rin niya ang balitang mananalo na ang mga gerilya hanggang sa dumating ang mga Amerikano upang pasukuin ang mga Hapon.

Mga bangungot pagkatapos ng digmaan

Makalipas ang ilang taon matapos ang digmaan, naging mabigat pa rink ay Lola Narcisa ang mga pangyayari. Iniisip niyang nawalan na siya ng dangal. Hanggang sa dumating ang araw na makilala niya ang kanyang naging asawa. Naging maluwag ang pagtanggap niya kay Lola Narcisa bagamat naging comfort woman siya dahil naiintindihan niya ang nangyari noong digmaan. Naging biktima rin siya noon, at tulad ni Lola Narcisa, naging comfort women din ang mga kapatid niyang babae. Sinuportahan niya si Lola Narcisa at binigyan niya ng lakas ng loob.

Nagkaroon sila ng mga anak, ngunit hindi na nila ikinuwento sa mga ito ang hirap na naranasan nila noong panahon ng digmaan. Bagkus, sinikap na lamang nilang pag-aralin at ibigay ang mga pangangailangan ng kanilang mga anak.

Ngunit isang araw, narinig ni Lola Narcisa ang mga panawagan ng mga paghingi ng mga salaysay mula sa mga naging comfort women. Dahil sa bumabalik pa rin ang mga bangungot ng mga malulupit na araw na iyon, napagpasyahan ni Lola Narcisa na lumantad bagamat naisip niyang maaari siyang ikahiya ng kaniyang mga anak. Ngunit pagdating ng araw ng kanyang pagsasalaysay sa harap ng maraming tao, dumating ang kanyang mga anak. Narubdob siya sa pang-unawang ibinigay nila. Naging esensyal ang suportang ibinigay nila sa kanyang paglantad para sa pahahanap at paglaban para sa katarungan.

Paghahanap ng Hustisya
Samantala, marami nang tulad nina Lola Narcisa at Lola Felicidad na ang nagbigay ng kanilang mga testimonya patungkol sa kanilang karanasan. Mahigit isang dekada na rin ang kanilang paghahanap ng katarungan.

Nakadalo na si Lola Felicidad sa mga pagdinig sa Japan. Nakasama na rin siya sa mga bansa tulad ng Switzerland upang ikuwento ang kanyang mga karanasan. Bagamat sinabi niyang, minsan na sila nabigyan ng kompensasyon ng gobyerno, hindi pa rin lubos ang hustisyang kanilang nakamit. Ayon kay Lola Narcisa, kailangan pa ring managot ang mga Hapon sa kanilang malupit na pagtrato sa mga kababaihan at mamamayang Pilipino. Sinabi niyang, sa digmaang iyon, ang mga walang kasalanan ang sinaktan.

Tanging sa mga libro na lamang mababasa ng karamihan sa ating henerasyon ngayon ang kasaysayan ng karahasan ng mga Hapon sa ating bansa. Sa ngayon, may mga lola pang buhay na testimonya sa mga ito at naghihintay na matikman ang tamis ng inaasam na katarungan. Dahil ang panggagahasa sa ating kababaihan, ay panggagahasa sa ating bayan.

Listahan ng dadalhin:

Ngayong umaga, magbabaon ako
Ng isang kahang lakas ng loob
upang maikubli ang nanginginig kong buto
Isang tasang kape
kung saan lulunurin ang puyat
Isang malaking bag
na sisidlan ng pagod
Isang pudpod na tsinelas
na papasan ng aking bigat
Isang panyo
para sa pawis
Isang kurba ng ngiti
sa matamlay kong mukha.

Mamayang gabi, mag-uuwi ako
ng isang kamang antok
isang bag ng basura
isang pudpod na tsinelas
isang basong pawis
isang mukhang puno ng alikabok
at isang panyong puno ng paumanhin.

-d.n. julian

Free Burma!

Photos from AP

Clad in maroon tapestries and with shaved heads, charming monks who usually utter prayers quietly, lead a hundred thousand infuriated Burma citizens on the large streets of Yangon in a spontaneous protest against the aggravating economic conditions and the dictatorship of the regime.

The protest actions, which was recorded as the largest in 20 years, was spurred by the sudden and distressing oil price hike. Reports described the demonstrators occupying an eight-lane road on a one-mile stretch.

In a desperate attempt of the Myanmar government to quell the protests, the military raids monasteries and abducts monks. The monks and other civilians are now subject of military harassment, detention and killings.

Gathering people in the streets might not be their usual routine, but through this radical move, they remain true to their virtue: they’re calling for peace and freedom.#

funny, but i indulge

Here’s another piece of me: I surreptitiously check horoscopes although I don’t believe in them. Maybe I just enjoy the idea that sometimes the readings match some occurrence in my life. I also appreciate the advice they usually give. And just maybe, it’s a form of entertainment for me.

Here’s a tarot reading test I took from a link in dang sering’s old blog. I actually don’t understand what it means. But I totally agree with the last line which says I have ambivalent mood swings.

You are The High Priestess

Science, Wisdom, Knowledge, Education.

The High Priestess is the card of knowledge, instinctual, supernatural, secret knowledge. She holds scrolls of arcane information that she might, or might not reveal to you. The moon crown on her head as well as the crescent by her foot indicates her willingness to illuminate what you otherwise might not see, reveal the secrets you need to know. The High Priestess is also associated with the moon however and can also indicate change or fluxuation, particularily when it comes to your moods.

What Tarot Card are You?
Take the Test to Find Out.

Brewed Coffeee ala Kalinga

Ilang araw na rin akong hindi pinapatulog ng brewed coffee ala Kalinga. Hindi ko alam kung anong klaseng kape yun, o kung kape ba talaga siya, o kung ganoon ba talaga dapat ang kape: maitim, mabango, gigisingin ka mula umaga hanggang gabi, hanggang madaling araw, hanggang mag-umaga kinabukasan. Kagabi, sinamahan niya akong paglamayan ang pagtatapos ng isa sa mga paborito kong buwan ng taon, ang Setyembre.

Bilang pagdiriwang ilalathala ko ang isang bersong naisulat at muntik nang mabulok sa isang sulok ng aking imbakan.

Bukas, pagdilat mo ng iyong mga mata,
pag sumilip na ang araw sa iyong bintana,
dadampian ka ng malamig na hangin,
hahawakan mo ang iyong pisngi.
Suot mo pa ba ang natitirang bakas ng aking halik?
Ito ang araw ng pag-alala sa mga umagang
nakagisnan mong umikot sa iyong kama
at masilayan ang aking mukha.
Gigising ako mula sa isang gabing
muntik nang di matapos at kasama ka.
Ito ang araw ng pag-gunita
Sa mga umagang nakalimutan mo na.

- dina julian